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(Posted in front of 226 Fulton St in "Do or Die Bed Stuy" a.k.a. Biggie's mom's pad)
In this story there is 1 and there is 2. both are writers, one is an academic the other is not, they lead hectic lives and both hold literature to its’ highest regard, both have read countless classics and just to make things metaphorically interesting, both are poets, both are irrelevant in the greater worries of the world but as writers in their youth, they can care less. Literature is for the heady, literature is for those with the luxury of time, and in times like this, there’s revolution to be made. Wars are being fought right outside our doors. 1 and 2 do not see it like this, to them literature is an art that helps define identity and culture, they are cynics. 1 is an academic, 2 is from the streets, 2 is a raw romantic, it is not a stigma, it is a badge of honor. He lives life naively thinking that every action he takes is a poem unto itself, he is self destructive, stubborn, a dreamer, his only real friend is the pen. They are both readers of Rimbaud except 1 reads Rimbaud in French and thoroughly understands every word, while 2 reads the translated works if only to say he has read Rimbaud, both however are equally mad.
2 immediately falls in love with 1. 1 can carry several detailed conversations that few can thoroughly understand, 1 quotes all of the writers that have influenced 2 and 2 is amazed at the common knowledge they equally share. 2 has waited for someone like 1 his whole life. He has several notebooks filled with poems written about an imaginary woman that resembles 1. 2 has a well tested tendency of falling in love with anyone who remotely resembles 1, that is until he meets 1. Then he is certain he has found his queen.
On one given day they have coffee, they speak, find out bits of each other and exchange formalities while knowing that formalities among writers are non-existent. With prose and verse they examine one another’s masks, they exchange mild words, they are very intrigued by one another’s ego, both fear obscurity. they come from different forms of privilege, 1 is well read by way of upbringing, parenting, proper schooling, 2 is well read as a means of escape, he reads to kill time, he lacks discipline, yet this is privilege and privilege allows for the luxury of reading. They read and write, write and read, first drafts, second drafts, final drafts, 1 caters to the bourgeoisie, 2 distances himself from it, 2 is an anarchist. 2 does not adhere to the academic perspective, a naïve idealist, he is now jaded, yet 2 sometimes writes as if he were catering to the bourgeoisie, he openly envies the fact that 1 can reach the ear of the bourgeoisie, it is a constant confirmation of his admiration of 1 as an accomplished writer.
They have established their own individual tastes in the written word, after years of incessant reading and writing, prose, verse, essays, scripts, plays, they have become true connoisseurs of all things… written. They compliment and critique, they insult, they name writers, thinkers, vagabonds, teachers, the great ones, the failures, “Who the fuck was Whitman anyway?!?” says 1, “you know he was a big supporter of manifest destiny?!!” “most of the classic American greats are trust fund babies anyway!” “There will never be another Borges!” they dialogue, debate, and in the end come to grips with several commonalities in one another, they know one another’s flaws, they become an item.
Neither see any glamour in the ‘starving artist’ lifestyle, 1 isn’t as big a fan of English language literature as 2, 1 has always been steadily employed through literature and sees all unpublished works as amateur yet always appreciates a good poem regardless of writer. 2 does not know nearly as many Spanish language writers as 1. They learn from one another. 1 has traveled and is well cultured, 1 has been to countries that 2 has only read about. For every city 1 has visited 2 knows the literary importance behind that journey. In her professional career she has sat in the same room as her literary heroes and in turn they have become colleagues.
2 embraces his ignorance, he believes in asking questions to erase all doubts. Where 1 can find the meaning, metaphors or flaws in any given writing on the first read, it takes 2 sometimes four of five reads to begin to see beyond the obvious. 2 has a complete disregard for institutionalized academia, the only real teachers 2 ever had were Bertholt Brecht and Ricardo Flores Magon, 2 does not believe in art for arts sake, 2 views writing as a tool that helps achieve social empowerment even if never formally published, 2 believes in mobilizing the working class masses through words. He allows for his beliefs to saturate his works, some would call it propaganda. Yet 2 is the biggest fan of 1’s writing and 1 writes about life, 1 has the ability to give prose rhythm, 1 does not directly involve politics in her works, yet her work has far more influence with her essays and allegories than 2 does in his poetry, this is why 2 is a fan of 1’s writings. They view themselves as irrelevant in the greater worries of the world, in the end they do not know whether either of them fully acheive whatever goals they had set out to accomplish , but their unspoken commitment allowed for mistakes to be forgiven throughout their years together. Neither 1 nor 2 are perfect, there are moments of absence and in those moments of absence they cheat. They forgive. They separate, they re-unite.
Words eventually become over bearing, they find language in silence, 2 believes that 1’s body movements and gestures are epic poems and new conversations arise. 1 begins to recite a long silent stream of consciousness poem that began when they first met. And 2 is fully attentive listening and reading the poetic genre that he first fell in love with anxiously awaiting the next stanza, hoping the last one never arrives.
Hola colega,
Espero que te encuentres en buenos espiritus, i'm not sure when you're leaving to South America but if I remember correctly it’s coming up soon, I wanted to wish you a safe trip, aver que me traes por si decides regresar(at least bring back a good story or two). I know that it’ll be an experience for the books, just don’t get too academic with your observations because I want to be the first to see your journals when you come back. Before you leave I wanted to tell you that for what it's worth I think about you sometimes, at the strangest times really, you see I don't expect many things of women who enter my life, I’m easy to forget, my poems and drawings can only impress for so long. Pero me interesas mucho, para mi dar la amistad es un acto muy intimo, y las conversaciones son sagradas. Straight up, I love being with you. When I think of you I see you in your worn in black low top all stars, the ones with the black shoe laces, you once said you take your shoes off to feel more comfortable so I hope you have your shoes off for this. Thinking back to an afternoon when we sat in El Jardin de las Rosas, I haven’t had a moment like that in a while, in a very long while. Actually, truthfully, I've never had something like that happen to me, I don't know of too many women or even people in general that’ll sit around dissecting and reading poetry for a better part of the day, I mean really read poetry, verse for verse, finding the rhythm in prose. Most times I meet women who claim to be readers and writers but it ends up being merely superficial, they like to read...sometimes or they haven’t quite found their voice.. or are afraid to search for a good writer, they wait to be told who the great writers are. I am intrigued by your love of letters and words, your physical beauty, your intelligence, your genuine love of literature turns me on, it always has, it’s what draws me to you. I can still taste your lips, I'm sure you could care less about mine, I don't know if this is lust and it’s worrisome because I know lust, I lust all the time, what I know is that I can still taste your lips, and I taste your lips at the strangest times. The days play out in strange scenes; I’ll spare you the detail because you were there. I have this almost inhumane ability to let go, it makes me cold, distant, its a defense mechanism, but as a writer I have the ability to cling to a given moment for what seems an eternity, BE inspired, live in that moment, know that I can relive the memory until it fades and no longer serves a useful purpose. I am at a cross road, do I cling or let go? At this point I can do either and be fine. But I see the sun setting behind you as you sit on the park table next to the garden taking a drag from your camel, holding modern Latin American poetry in your hands, writing modern Latin American literature with your pen, te veo leyendo Bolaño, recitando versos del maestro. I hear,
"En aquel tiempo yo tenía veinte años
y estaba loco.
Había perdido un país
pero había ganado un sueño.
Y si tenía ese sueño
lo demás no importaba….”
I’ve never sat with a mujer and dissected poetry before, a thing of beauty, a sense of intimate involvement, now I know what that feels like and it feels good, to read and be read to, se siente chingon. Poder plasmar esa experiencia por toda eternidad en una hoja de papel. Como dice el gabacho, “You did a number on me” I’m a seeker of symbolism and in you I find a kind of curiosity that awakens all my senses. And I find myself thinking about you at the strangest moments, quien sera esta escritora ------- ------ ? Why do you stand out? Why do I still go back to looking into your eyes at night? I go about my days, work, run errands, read, write and yes eventually think about you, it’s a strange thing which I don’t mind in the least. It’s almost childish and to you I’m probably someone who comes and goes, and that’s what I tend to do, come and go. An invisible character in many womens lives. mas no puedo borrar tu voz, tu cuerpo, tu sabor, and why do I tell you all of these things that we know are better left unsaid? Pues simply because I don’t want you to forget me while you’re traveling up and down Latin America, but more importantly, I had you on my mind today as I do all other days and it just so happens that this is what you inspired, stream of consciousness love letter to you, colleague and comrade in arms. Let me know when you get back, i'll be here.
DML
warmth
comfort
healer,
she who
welcomes,
by my side
caress
hold her tight
if this be love,
love with all your might
main squeeze,
squeeze her right
rhythm, lots of rhythm
relax, breathe
everything's going to be alright.
check it,
you got me a little curious
Delirious in my confidence
I know my actions must be obvious
5-but you keep it stupid fresh
your style compliments your flesh
my brain cells are all in a muthafuckin' mess
god damn it miss ------
I gotta confess
10-I don’t think I can suppress
the fact that for a cool minute now
you caught my interest
and although I want to get intimate
Don’t be thinking that
15-I’m just trying to run through,
if anything this is more like
Common when he first met Erykah Badu
I want to write love poems
that are strictly for you
20-you have a smile and a style
that don’t fake the funk
always keeps it true
got a poet feeling energetic,
revived and brand new...
25-you are beauty personified
a bona fide queen, got you stuck
in my dreams
you roam my mind,
seems like cupid busted off shots
30-and I caught a slug
got me scribbling thoughts at home like,
“you shine so bright that I’m left blind,
the whole world gives you props”
and though hip hop is your love
35-I’m trying to rep you
like hand in glove
like I'm an addict and you're the main drug
better yet sent at the perfect moment
from way up above
40-we can start from scratch,
a new beginning,
you got my soul singing
straight up, like that!
there’s nothing wrong with drifting into the unknown
45-let me build you a castle with brand new crown
let me be the one who takes you in and out of the zone
the one who'll write you
the worlds illest poems
it's been a good while since I felt like a child
50-you inspire this style that has me flowing
you look good and my curiosity is constantly growing
the love I can give to you, you ain’t even knowing
I can love you like this
like a living legend
55-straight embedded your impression
in my heart a new sensation
your aura constantly glowing
my heart constantly roaring
together we could be constantly soaring
60-traveling new heights
New York and Parisian nightlights
new adventures every morning
if you wanna keep this going
I guarantee miss ------
65-we’ll see the sights
and life with me will be a sick journey
that’ll never get boring.
Awww..